... Yi-jung Chen on the Formosan Blue Magpie, her stories and AI

 ... Yi-jung Chen on the Formosan Blue Magpie, her stories and AI

There are those emails that make you curious from the very first few lines. Not because they come from someone we have known for years, but precisely because the sender is a complete stranger. Some time ago, one such email landed in our inbox — and it came not from Germany, but from Taiwan.

It was written by Yi-jung Chen, an author who had discovered Zauberspiegel and reached out to us herself. Naturally, we wanted to know more: How had she come across our magazine? What does she write about? And what role does artificial intelligence play in her writing?

So, of course, we had to ask. Today, a story by her is also being published alongside the interview. You can find it here.

Zauberspiegel: Hello Yi-jung, and welcome to Zauberspiegel! :-) To begin, could you introduce yourself to our readers and tell us a little about who you are and what you do?
Yi-jung Chen: Hello Bettina, and hello to all the readers of Zauberspiegel! Thank you so much for having me. I am Yi-jung Chen, a writer, educator, and storyteller from Taiwan. I spent many years surrounded by nature and local folklore, which deeply shape my perspective. In my creative work, I focus on weaving natural imagery—especially tropical flora and native fauna—with magical realism, sensory emotions, and cultural memory.

Zauberspiegel: You've told us that you work as a primary school teacher. What subjects do you teach, and what do you enjoy most about working with children?
Yi-jung Chen: I work as a primary school special education teacher in a resource room, specializing in Mandarin language arts. My work focuses on supporting children with diverse learning needs, helping them find their unique voices through stories and sensory expression. What I love most about working with these children is their unfiltered sense of wonder and extraordinary imagination. They often perceive the world from unexpected angles—unburdened by strict boundaries between reality and fantasy. To them, a rustling tree might carry a whispered message, and a bird might guard an ancient secret. Observing their distinct ways of interacting with the world constantly inspires me to stay curious and view nature through an imaginative, compassionate lens.

Zauberspiegel: How did you discover writing for yourself? What made you start writing, and what does writing mean to you personally?
Yi-jung Chen: I began writing out of a deep desire to preserve fleeting sensations—the sound of summer cicadas, the scent of crushed leaves, or the quiet melancholia of local traditions. For me, writing is a form of emotional alchemy. It allows me to bridge my inner emotional world with the physical landscape of Taiwan. It is both a sanctuary where I process life and a bridge to connect with readers across different cultures.

Zauberspiegel: What kind of stories do you write? Are there particular genres, subjects, or themes that you are especially drawn to?
Yi-jung Chen: I am drawn to flash fiction, eco-fiction, and magical realism. My stories often center on botanical themes, animal symbolism, and Taiwanese cultural heritage (such as traditional seasonal lore or nostalgic childhood soundscapes). I love exploring the subtle boundaries between the human heart and the wild nature—how a plant's growth can reflect desire, or how a local bird can embody ancestral memories.

Zauberspiegel: As you’ve told us, you write about the nature of Taiwan, folklore ..... Would you say that your work can be assigned to a particular genre? And if so, which genre do you think best describes your work?
Yin-jung Chen:  I would describe my work as Magical Realism blended with Dark Eco-Fiction and Satirical Allegory. Rather than treating local folklore, natural ecology, or maritime symbols as mere backdrops or traditional myths, I like to weave them directly into modern human struggles, social hierarchies, and environmental grief. It's a space where local creatures, legends, and raw human emotions collide—sometimes surreal, sometimes razor-sharp, but always grounded in the lived landscape of Taiwan.

Zauberspiegel: Have you already had any of your stories or other texts published? If so, where and in what form?
Yin-jung Chen: Yes! My writings—ranging from speculative prose, localized allegories, and eco-centric poetry to cultural essays—have been published across various digital literary platforms, independent literary zines, and creative journals, both locally in Taiwan and internationally. I frequently publish serialized fiction and experimental poetry online, exploring the intersection of human trauma, environmental memory, and folklore.

Zauberspiegel: How did you discover Zauberspiegel, and what prompted you to get in touch with us?
Yi-jung Chen: I came across Zauberspiegel while searching for international literary platforms that appreciate speculative fiction, magical realism, and mythic storytelling. I was impressed by your dedicated readership and passion for imaginative literature. I wanted to share a slice of Taiwanese natural magic with German readers, believing that stories rooted in regional ecology can still resonate universally.

Zauberspiegel: We were very interested in the story you sent us, which we are publishing today as a reading sample. It revolves around the Taiwan Blue Magpie. Could you tell us a little about the inspiration and background behind the story? What made you want to write about this particular bird?
Yi-jung Chen: The story draws deep inspiration from the Taiwanese-language literary works of Chen Lei (陳雷, the pen name of Wu Ching-yü 吳景裕), whose writing profoundly honors Taiwanese land, native fauna, and local identity. The Taiwan Blue Magpie (Urocissa caerulea) is an endemic species in Taiwan, known for its striking royal-blue plumage, long tail, and remarkably fierce, protective nature toward its family. They are bold, communal, and deeply bound to the island's mountain forests. Channeling the spirit of Chen Lei's Taiwanese literature, I was inspired by the magpie's intense presence—how they glide like vivid blue ribbons through the green canopy while fiercely guarding their nests. To me, the magpie represents both fiery passion and protective grace, making it a perfect symbol for a story about territory, memory, and wild affection.

Zauberspiegel: You wrote: “To me, the magpie represents both fiery passion and protective grace, making it a perfect symbol for a story about territory, memory, and wild affection.” In your story, the Taiwan Blue Magpie is a keen observer who seems to have a great deal of sympathy for people facing hardship. At the same time, you touch on a number of issues rooted in Taiwan’s history and social structures. Could you tell us more about some of these issues and why they were important for you to explore in the story?
Yin-jung Chen: The Taiwan Blue Magpie (Urocissa caerulea) is an endemic species in Taiwan, known for its striking appearance, fierce territorial instincts, and uniquely cooperative breeding behavior—where family members help raise the young together. To me, this bird embodies the resilient spirit of Taiwan itself. In the story, exploring issues like coastal erosion, historical displacement, industrial exploitation, and intergenerational grief was vital. Taiwan's history is marked by rapid transformation, land subsidence, and communities forced to adapt to environmental sacrifice zones. The Blue Magpie acts as a wild, unblinking witness to these scars. By using its perspective, I wanted to show that our social hardships and land traumas are not isolated; they are deeply watched and shared by the non-human living world around us.

Zauberspiegel: You mentioned beforehand that you use AI as part of your writing process. This is a subject that is currently being discussed quite controversially in Germany, and I imagine it is also a matter of debate within Taiwan's literary community. Could you tell us a little more about how you use AI when writing your stories? Perhaps you could use the Taiwan Blue Magpie story as an example and explain how AI was involved in its creation.
Yi-jung Chen: I view AI not as a ghostwriter, but as a collaborative sounding board and a translation bridge. The core emotional truth, original concepts, metaphoric imagery, and cultural roots always originate entirely from my own human experiences and Taiwanese poetry.
When creating the Taiwan Blue Magpie story, I first wrote the core narrative grounded in my personal observations of the bird and local foliage. I then used AI as an interactive partner to explore linguistic nuances— testing how poetic Chinese metaphors (like the bird's striking blue feathers or seasonal sensory details) could best be translated into English while retaining their sensory resonance and rhythmic tension. AI helps me refine sentence cadence, brainstorm stylistic variations, and navigate cross-cultural phrasing. The spark and soul belong entirely to human creation; AI simply acts as the modern loom that helps weave my native story into an international language.

Zauberspiegel: As I mentioned earlier, the use of AI in creative writing is a controversial subject. Many readers and authors are concerned that AI can interfere with or even undermine the creative process. Some also question whether a text created with the help of AI can still be considered an original work of the person who wrote it. How do you view this debate, and what would you say to those who are critical of using AI in creative writing?
Yi-jung Chen: I completely understand and respect these concerns—the fear of art losing its human soul is valid. However, I view AI not as a ghostwriter or a replacement for lived human experience, but as a dynamic sounding board, a conceptual lens, and a creative multiplier. An AI has never felt the sting of salt air in Yunlin, smelled a muddy clam, or grieved a lost relationship. The core vision, emotional pain, cultural nuances, and moral truths MUST come from the human writer. When used ethically, AI acts like a high-tech loom: it helps the writer stretch ideas, test absurd metaphors, or refine narrative pacing, but the thread and the design remain undeniably human. True originality lies in what you choose to say and why you care to say it.

Zauberspiegel: What projects or stories are you currently working on? And do you already have any plans or ideas about where your journey as a writer might take you in the future?
Yi-jung Chen:  I am currently working on a collection of satirical eco-allegories and dark speculative short stories centered around Taiwan's changing coastal landscapes. One piece I'm particularly excited about weaves together maritime folklore ("The Sea General's Crest"), aquaponic labor satire, and local aquaculture struggles into a dark, absurd tale of human delusion and environmental vengeance. As for my future journey, I hope to continue bridging Taiwanese folklore and environmental realities with global readers, proving that localized stories of soil, sea, and survival speak a universal language.
P.S. On Literary Influence & Homage: I would also like to briefly share a deep source of inspiration for my work. In weaving together Taiwan's local landscapes, cultural memory, and narrative voice, I am profoundly influenced by the literary legacy of Dr. Wu Ching-yu (pen name Chen Lei), a pioneering Taiwanese literature writer and physician. My exploration of Taiwanese roots borrows and echoes some of his iconic vocabulary, tragic sensibilities, and philosophical concepts regarding land and human suffering. To me, incorporating these literary echoes is a way of engaging in a generational dialogue with his work, honoring how his legacy continues to shape the soul of contemporary Taiwanese eco-fiction and storytelling.

 

 

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